Cheap Anechoic Orchestral Music Recording (Music) (Ludwig van Beethoven, Georges Bizet, Johannes Brahms, Anton Bruckner, Claude Debussy, Mikhail Glinka, George Frideric Handel, Gustav Mahler, Felix Mendelssohn, Wolfgang Amadeus Mozart) Price
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| ARTIST: | Ludwig van Beethoven, Georges Bizet, Johannes Brahms, Anton Bruckner, Claude Debussy, Mikhail Glinka, George Frideric Handel, Gustav Mahler, Felix Mendelssohn, Wolfgang Amadeus Mozart |
| CATEGORY: | Music |
| MANUFACTURER: | Denon Records |
| TYPE: | Russian Romantic Opera, Music For String Orchestra, Miscellaneous Music, Suite for Orchestra, Polka for Orchestra, Symphonic, Opera, Baroque Suite/Partita for Orchestra, Easy Listening, Romantic Symphony, Orchestral Music, German/Austrian Classical Period Opera, Italian Romantic Opera, Orchestral, Miscellaneous |
| MEDIA: | Audio CD |
| TRACKS: | I. Anechoic Recording Program: Le Nozze De Figaro: Overture, I. Anechoic Recording Program: 4th Mov. - Symphony No.3 In A Minor, Op.56 'Scottish', Bars 396-490, I. Anechoic Recording Program: L'Arlesienne, Suite No.2: Menuet, Bars 396-490, I. Anechoic Recording Program: Pizzicate-Polka, I. Anechoic Recording Program: Ruslan And Lyudmila, I. Anechoic Recording Program: La Traviata, I. Anechoic Recording Program: Symphony No.4 In E Flat 'Romantic', Bars 517-573, I. Anechoic Recording Program: Prelude A L'Apres-Midi D'un Faune, Bars 1-20, II. Anechoically Recorded Samples For Evaluation: No.6 - Water Music Suite, Bars 1-11, II. Anechoically Recorded Samples For Evaluation: Le Nozze Di Figaro, Bars 1-18II., II. Anechoically Recorded Samples For Evaluation: Symphony No.9 In D Minor, Op.125 'Choral'..., II. Anechoically Recorded Samples For Evaluation: Symphony No.4 In E Minor, Op.98, Bars 354-362, II. Anechoically Recorded Samples For Evaluation: Symphony No.4 In E Flat Major 'Romantic'..., II. Anechoically Recorded Samples For Evaluation: Symphony No.4 In F Minor, Op.36, Bars 1-6, II. Anechoically Recorded Samples For Evaluation: Symphony No.5, Bars 1-3, II. Anechoically Recorded Samples For Evaluation: Prelude A L'Apres-Midi D'un Faune, Bars 1-3, III. Samples Of Sound With Simulated Reverberation: Le Nozze Di Figaro: Overture, Bars 1-18..., III. Samples Of Sound With Simulated Reverberation: Le Nozze Di Figaro: Overture, Bars 1-18: B) Addi, III. Samples Of Sound With Simulated Reverberation: Le Nozze Di Figaro: Overture, Bars 1-18: C) Addi, III. Samples Of Sound With Simulated Reverberation: 1st Mov. - Symphony No.4 in E Flat Major 'Romant, III. Samples Of Sound With Simulated Reverberation: 1st Mov. - Symphony No.4 in E Flat Major 'Romant, III. Samples Of Sound With Simulated Reverberation: 1st Mov. - Symphony No.4 in E Flat Major 'Romant, III. Samples Of Sound With Simulated Reverberation: Prelude A L'Apres-Midi D'un Faune, Bars 1-3: A), III. Samples Of Sound With Simulated Reverberation: Prelude A L'Apres-Midi D'un Faune, Bars 1-3: B), III. Samples Of Sound With Simulated Reverberation: Prelude A L'Apres-Midi D'un Faune, Bars 1-3: C), IV. Instrumental Combinations And Score-Reading: 1st Mov: Symphony No.4, Bars 386-407: 1..., IV. Instrumental Combinations And Score-Reading: 1st Mov: Symphony No.4, Bars 386-407: 2. Timp, IV. Instrumental Combinations And Score-Reading: 1st Mov: Symphony No.4, Bars 386-407: 3. Timp+..., IV. Instrumental Combinations And Score-Reading: 1st Mov: Symphony No.4, Bars 386-407: 4. Timp.+..., IV. Instrumental Combinations And Score-Reading: 1st Mov: Symphony No.4, Bars 386-407: 5. Timp.+..., IV. Instrumental Combinations And Score-Reading: 1st Mov: Symphony No.4, Bars 386-407: 6. Timp.+..., IV. Instrumental Combinations And Score-Reading: 1st Mov: Symphony No.4, Bars 386-407: 7. Timp.+..., IV. Instrumental Combinations And Score-Reading: 1st Mov: Symphony No.4, Bars 386-407: 8. Timp.+..., IV. Instrumental Combinations And Score-Reading: 1st Mov: Symphony No.4, Bars 386-407: 9..., V. Differences In Sound Recording Method: Le Nozze Di Figaro; Overture, Bars 1-50: A)..., V. Differences In Sound Recording Method: Le Nozze Di Figaro; Overture, Bars 1-50: B) Omni-direction, V. Differences In Sound Recording Method: Le Nozze Di Figaro; Overture, Bars 1-50: C) Uni-directiona, V. Differences In Sound Recording Method: Le Nozze Di Figaro; Overture, Bars 1-50: D) Multi-mike Set, V. Differences In Sound Recording Method: Le Nozze Di Figaro; Overture, Bars 1-50: E) Multi-mike Set, V. Differences In Sound Recording Method: 1st Mov.-Symphony No.4 In E Flat: A) Omni-directional Sing, V. Differences In Sound Recording Method: 1st Mov.-Symphony No.4 In E Flat: B) Omni-directional Sing, V. Differences In Sound Recording Method: 1st Mov.-Symphony No.4 In E Flat: C) Uni-directional Singl, V. Differences In Sound Recording Method: 1st Mov.-Symphony No.4 In E Flat: D) Multi-mike Setup Reco, V. Differences In Sound Recording Method: 1st Mov.-Symphony No.4 In E Flat: E) Multi-mike Setup+Time, VI. Test Signals For Measurment Of Room Acoustics: 1001Hz Sine Wave Channel Check, VI. Test Signals For Measurment Of Room Acoustics: 1001Hz Sine Wave, VI. Test Signals For Measurment Of Room Acoustics: IkHz, 5Hz-22.05Hz Sweep, VI. Test Signals For Measurment Of Room Acoustics: 1001Hz Toneburst (EIJ), VI. Test Signals For Measurment Of Room Acoustics: 1001Hz Toneburst (EIAJ), VI. Test Signals For Measurment Of Room Acoustics: Impulse I (I Sample) 100ms+20% (Random) Cycle..., VI. Test Signals For Measurment Of Room Acoustics: Impulse II (I Sample) 4S+20% (Random) Cycle..., VI. Test Signals For Measurment Of Room Acoustics: Pulsive Signal (40ms) 7S+20% (Random) Cycle..., VI. Test Signals For Measurment Of Room Acoustics: White Noise Uniformly Distributed Noise In The..., L=25Hz, 31.5Hz, 40Hz @ -20b; R=31.5Hz @ -16db, L=52Hz, 63Hz, 80Hz @ -20; R=63Hz @ -16db, L=100Hz, 125Hz, 160Hz @ -20; R=125Hz @ -16db, L=200Hz, 250Hz, 160Hz, 315Hz @ -20db; R=250Hz @ -16db, L=400Hz, 500Hz, 630Hz @ -20db; R=500Hz @ -16db, L=800Hz, 1KHz, 1.25Hz @ -20db; R=1Khz, L=1.6KHz, 4KHz, 2.5KHz, 2.5KHz @ -20db; R=4KHz, L=3.15KHz, 4KHz, 5KHz @ -20db; R=4KHz @ -16db, L=6.3KHz, 8KHz, 10KHz, - @ -20db; R=8KHz @ -16db, L=12.5 KHz, 16KHz, - @ -20db; R=16KHz @ -16db, Pink Noise @ -14db |
| UPC: | 081759017105 |