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Andrea Gabrieli (c. 1510-1586) was one of the first native Venetians to hold the positions of Second and then First Organist in the basilica of San Marco. These were the highest musical appointments in the city, and their holders was expected to compose much of the music they played. In the event, like his predecessor Merulo and his successor (his nephew Giovanni Gabrieli), Andrea was adept at all musical forms, especially the new and up-to-date (very secular) madrigal, a sort of vocal chamber music. A splendid selection of these, interspersed with instrumental canzoni (in which one can see the influence he had on his more-famous nephew) that offer welcome contrast to the vocal music. Manfred Cordes leads Weser-Renaissance Bremen in pungent period-instrument performances. Paul Turok
| ARTIST: | Andrea Gabrieli |
| CATEGORY: | Music |
| MANUFACTURER: | Cpo Records |
| TYPE: | Classical, Classical Composers, Classical Vocals, Madrigal, Miscellaneous, Miscellaneous Music, Vocal |
| MEDIA: | Audio CD |
| TRACKS: | Cantiam Di Dio, Cantiamo, Vaghi Augeletti, Che Per Valli E Monti, Angel Del Terzo Ciel, Sceso Fra Noi, Canzona A 4, I'vo Piangendo I Miei Passati Tempi, Vostro Fui E Saro Mentre Ch'io Viva, Tirsi, Che Fai Cosi Diolente A L'ombra, Gratie Che'l Mio Signor Largo Destina, Canzona A 4, Tirsi Morir Volea, Rimanti, Amor, In Sempiterno Oblio, Com Havro Pace In Terra, Caro Dolce Ben Mio, Perche Fuggire, Sento, Sent Un Rumor Ch'al Ciel Si Estolle, Mentr'io Vi Miro, Vorrei Pur Sapere, Mentr La Greggia Errando, Quanti, Sepolti Giu Nel Foco Eterno, Hor Che Nel Suo Bel Seno, La Verginella E Simile Alla Rosa, A Le Guancie Di Rose, Ricercare A 4, O Soave Al Mio Cor Dolce Catena, Piangi Pur, Musa, Ogn'hor, Poi Che'l Tuo Canto, O Dea, Che Tra Le Selve A Chi Ti Chiama A 8 In Echo |
| UPC: | 761203964222 |
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Customer Reviews of Andrea Gabrieli: Madrigali e Canzoni
A Sore Throat Gabrieli When I heard this,I thought I was listening a different ensemble from that I have on another fine recordings by Weser Renaissance to CPO(Regnart Motets,H.Praetorius' Vespers,Motets by Hassler).No problem about players and their period instruments,just in good shape but,what about the voices?Just listen "La Verginella è simile",or "Piangi pur";that quivering singing,tuneless soprano and countertenor voices(one singer for part),just ruining wonderful Gabrieli's madrigals.No organ music;what a pity,'cause A.Gabrieli was principal organist at St. Mark and there're lots of excellent organ music by him.Besides,I believe the location chosen to this cd(the Sendesaal,rather than churches on the others recordings)was a terrible mistake;this lean,dry acoustics here doesn't fit well to these princely instrumental canzoni and worse that,just exposes all this disharmonious singing.If one are looking for Gabrieli,the uncle,stay away of this cd,or pick Regnart or Hassler albuns if you want a fine Weser's recording.