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Customer Reviews of Ace in the Hole - Criterion Collection

Billy Wilder's Lost Masterwork Get's the Royal Criterion Treatment
"Ace in the Hole" is one of those movies that comes around every rare often and belts you right in the kisser. Yet, to my knowledge, Paramount has never released it on VHS, and certainly not on LaserDisc or DVD. Until now: Criterion is releasing a DVD with a cleaned-up print and all the bells and whistles. Until it comes out, I will have to console myself with my VHS third-generation copy that was recorded in the 1980s from some TV channel in Florida. The print is grainy, the sound warbles and the dialogue is out of sync at times. It nonetheless still packs a helluva wallop. <
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>Read the bottom of pages on which Wilder's movies are sold: "Customers who bought DVDs directed by Billy Wilder also bought DVDs by these directors: <
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>"Howard Hawks <
>"Alfred Hitchcock <
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>"William Wyler <
>"George Cukor" <
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>There isn't one weak or less than legendary director in this list. Personally, I rate Wilder right up there with Hitch and ahead of all the others. Yet, when Paramount released their DVD boxed set of three Wilder classics ("Sunset Boulevard," "Sabrina" and "Stalag 17"), "Ace in the Hole" was conspicuously absent. What a shame! I consider this his masterwork, arguably equalling "Double Indemnity" and "The Apartment." <
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>Critics have called it a black comedy, I suppose because it's a Billy Wilder movie, so we reflexively think of him as a comedic director. In fact, having heard and read so much about this movie, I sort of felt jinxed, because when I go into a movie with high expectations, I come out of it a little disappointing. <
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>And, the opening of this movie disappointed a little: When Kirk Douglas' character, Charlie Tatum, falls down on his luck and lands a job with an Albuquerque newspaper, it seems to be a bit of a new spin on an old classic, "The Front Page" (which, strangely enough, Wilder resurrected in 1974 as a Matthau/Lemmon vehicle). <
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>Yet, that's the movie's genius, because you are lured into thinking it's a comedy. Yet, once Kirk Douglas finds his potential "Pulitzer-prize winning story" buried under fallen timbers in a New Mexico cave, you realise it's a cynical farce. <
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>But then, it's no longer a farce, but a dark tragedy. Not so quick, because by the end you'll find it's an abomination -- not the movie itself, which is superbly casted and crafted -- because it shows at root what base intentions really drive mankind. <
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>Of all his movies, it's the oddest. Imagine a cross between "Double Indemnity" and "The Fortune Cookie." Strange, I know, but that is the closest I can pin it down. Douglas' character is an even more cold-blooded version of Walter Matthau's supreme shyster Whiplash Willie. Think of William Holden's Sergeant Seften without the heart of gold, and you'll get Chuck Tatum. <
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>Jan Sterling is equally, well, sterling as the victim's wife, whose blood runs as ice-cold as Barbara Stanwyck's Phyllis Dietrichson. Sterling, though, is no femme fatale: She's too tawdry, and can only aspire to the unimaginative dreams that accompany her former dime-a-dance persona. She does slip a pair of scissors into Douglas' flank, but, hey, he had it coming. <
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>The ending, which I won't give away, is chilling and powerful. Nobody could write ending lines like Wilder could, and this one is no exception. It's right up there with Fred MacMurray's "I love you, too" ("Double Indemnity"), Shirley MacLaine's "Shut up and deal" ("The Apartment"), Gloria Swanson's "I'm ready for my close-up, Mr. DeMille" ("Sunset Boulevard") and Joe E. Brown's "Nobody's perfect" ("Some Like it Hot"). <
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>"Ace in the Hole" walks on the seedy and seamy side of journalist and shows the viewer all the manipulation behind the scenes of the newspaper racket. It presages other blisteringly scathing films as "A Face in the Crowd," "Sweet Smell of Success" and "Network."

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One of Billy Wilder's Masterpieces
This 1951 film seems as relevant today as it ever did. Kirk Douglas is perfectly cast as an unethical newspaper reporter who, through his influence over the town's sheriff, keeps a dying man trapped in a mine for several days longer than necessary in order to milk the story for all it's worth - a strategy he hopes will help him claw his way back to the top of the journalistic world. Billy Wilder's incredibly vitriolic film tells many truths about how reality is manipulated by the media to serve personal and political ends without regard to the suffering caused by this agenda. His film spares nobody in its critique: those who perpetuate the lies, those who directly benefit from them, even those who uncritically consume the stories are all complicit in the wrongdoing. Wilder made many great films, most of which are far better known than this one, but "Ace in the Hole" is up there with the best of them. <
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>Criterion's upcoming release is definitely cause for celebration. <
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Not To Be Missed
At last, at last, Wilder's finest film, "Ace In The Hole" (AKA "The Big Carnival") is released on DVD. For those without TCM (it's been run several times in the last month or two), you will now finally be able to see a film swimming in deep cynicism as well as experience one of the coldest characters every recorded on film - Jan Sterling's "grieving" wife. She is the female mirror to Kirk Douglas' down-on-his-luck, cruel Chuck Tatum. <
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>More relevant in these media-frenzied times than when it was made, "Ace. . ." still packs a wallop in reminding us of the power of the press to manipulate (in Tatum's case for self-aggrandizment). <
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>I first saw this film when I was about 8 or 9 years old. I couldn't grasp the story's nuances, but it sure put the zap on my pre-pubescent head. <
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>Wonderfully acted from a great script under Wilder's sure hand, "Ace In The Hole" is a cinematic treasure not to be missed. (Especially for Wilder fans.) This is Wilder's masterpiece. <
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>Thank you Criterion! <
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>In short: <
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>Reporter Chuck tatum (Kirk Douglas who's been kicked off every major US paper) ruthlessly exploits a man trapped in a cave he chances upon while on his way to cover a rattlesnake hunt (how fitting) for an Albuquerque daily. While an engineer promises to get the man out in hours, Reporter Tatum, and a corrupt sherrif, lean on the engineer to bore through rock. A process that'll take a week. <
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>Tatum sells the story to the majors who lap it up. When the news breaks nationwide, thousands descend on the disaster. The scenes of the carnival invited by Leo's wife (Jan Sterling) to set up and cheesy country western singer twanging a guitar while singing about poor Leo (the trapped man), are powerful. <
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>O Leo, Leo, Leee-Oooo <
>We're Coming Leo <
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