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Customer Reviews of A Night in Casablanca

The Marx Brothers' Farewell Film
"A Night in Casablanca" (1946) is the best of the later Marx comedies and a fitting finale to their screen career. ("Love Happy," made in 1949, is a Harpo Marx vehicle with Chico and Groucho as guest stars -- it never was intended to be a legitimate Marx Brothers film and should be viewed in that context.) Perhaps their finest effort since "A Night at the Opera" (1935), this postwar escapade features the Marxes in splendid form and recaptures some of the rough-edged spontaneity of their early Paramount comedies. Harpo, in particular, is superb -- this is easily his best performance since "Duck Soup" and, unlike the MGM films, his talents are given a free reign. The absence of Margaret Dumont is compensated by the return of comic villain Sig Rumann (as Heinrich Stubel), who was a terrific foil in "A Night at the Opera" and "A Day at the Races." It may seem odd to place Groucho, Harpo and Chico in a post-WWII setting, but the brothers' shenanigans inside the Hotel Casablanca are a refreshing throwback to their first film, "The Cocoanuts" (1929). In many ways, the Marxes have come full circle. The final image of Groucho, Harpo and Chico chasing beautiful Lisette Verea through the streets of Casablanca ends the movie on an appropriately Marxian note -- which wasn't the case in most of their MGM efforts. Though not without its minor faults, "A Night in Casablanca" is a much better film than its critical reputation would have you believe. The print quality is excellent and, for the first time in many years, this video is recorded in SP mode.

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"You schweinhund!"
A NIGHT IN CASABLANCA is a film more famous for the correspondence it allegedly provoked (there's a possibility that the entire thing was a publicity stunt) between Groucho Marx and the Warner Brothers' legal department (WB stated they had a claim on 'Casablanca'; Groucho countered with a claim on 'Brothers') than for any of the gags it contained. I think this is a pity as, while it certainly can't compare to the Marx Brothers at their height, it isn't an awful film. In fact, taken on its own merits, it's quite good.

The first thing that struck me when I put on this DVD (this was the first time I'd seen the film) was how much older the Marx Brothers themselves looked, particularly Harpo. His character was always a sort of ageless clown and seeing wrinkles sort of spoilt the illusion for me. On the other hand, Groucho actually looks more in character at this age. It gives him easier access to his "dirty old man" routine, which he played perfectly.

Despite the title (and apparently the original intentions of the filmmakers), the movie doesn't have much to do with the more famous film with a similar name. The action centers in and around a hotel rather than a nightclub (Groucho is now the manager after the last few died under mysterious circumstances). The search is for treasure instead of travel papers. And, of course, instead of Humphrey Bogart and Ingrid Bergman as the romantic couple, we have bland Zeppo-replacement and bland Zeppo-replacement's bland girlfriend. Well, we can't have everything.

While most of the secondary cast is uninspired, it is nice to see Sig Ruman and his eye-popping indignation back again after his stints in A NIGHT AT THE OPERA and A DAY AT THE RACES. His over-the-top, sputtering reactions almost make up for the lack of Margaret Dumont. In the sequence where he's trying to pack his suitcases and trunks while the Marx Brothers invisibly impede his progress, he helps turn a great scene into a classic one.

The joke writing in this movie is quite strong compared to some of the other MGM Marx features. In particular, Groucho's one-liners are at full strength; I have this movie on in the background while I type up this review, and I'm catching hilarious little jokes and double entendres that I missed the first time around. And while some of the gags have the hint of unoriginality about them, there's enough that's fresh. Sure, the scene of Harpo pantomiming that Groucho was about to be blackmailed by a femme fatale had already been done in A DAY AT THE RACES, but they wisely don't use the same lines to fuel the jokes (although strangely they do use the same music: both Groucho seduction scenes feature Johann Strauss' "The Blue Danube"). The same is true for the crowded dance-floor sequence that mimics the crowded stateroom scene from A NIGHT AT THE OPERA. Same premise, but different funny jokes.

The DVD extras are nothing special. I suppose someone must be enjoying the vintage cartoons that they're putting on these Marx Brothers DVDs, but that person isn't me. The extras aren't important anyway; unfortunately, they don't add anything to the experience. Picture and sound quality are both excellent for a film of this age.

This movie may come from the less celebrated portion of the Brothers' career, but to my surprise I really enjoyed it. No film can go wrong that features a scene of Harpo Marx grinning madly at the controls of an airplane. If you go in expecting DUCK SOUP, then you might be disappointed. But if you take it for what it is rather than what it isn't, you'll find a film that's funnier than most.

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The Fab Three.
While "A Night in Casablanca" is not the Marx Bros. at their best, it still has enough chuckles and gags to amuse Groucho, Chico and Harpo's legion of fans. Sure--it doesn't compare to "Horse Feathers", "Monkey Business", "Duck Soup", "A Night at the Opera" or "A Day at the Races"--but--to be fair--how many comedies do ?

All three of "Minnie's boys" have a chance to shine in this wacky hotel farce set in "exotic" Casablanca. What fans will appreciate most is that the Marxes are on screen for most of the film. For this viewer at least, some of their MGM films were spoiled by saccharine romantic sub-plots, with some boring young tenor of the day crooning to a starlet. While there is some music in this film--including expected turns on piano by Chico and on harp by ( duh ) Harpo--it doesn't detract from the fun.

Groucho shines as the new hotel manager--Harpo is valet to a very suspicious-looking German ( Sig Ruman, hamming it up wonderfully )--Chico seems to be a con-man, intent on ensuring that Groucho does not meet the same nasty fate of previous hotel managers. Of course, we have the usual number of pompous, arrogant people who run head-long into Groucho's rapier wit. I did miss Margaret Dumont though.

The quality of the DVD is excellent--crisp B & W picture--clear mono sound.

Groucho, Chico and Harpo were quite simply three of the funniest human beings of the 20th century. While "A Night in Casablanca" is not a top-tier Marx movie, it will still provide you with a lot of amusement, and deserves a spot in your classic comedy DVD collection.