Cheap A Man for All Seasons (DVD) (Paul Scofield, Wendy Hiller, Robert Shaw) (Fred Zinnemann) Price
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| ACTORS: | Paul Scofield, Wendy Hiller, Robert Shaw |
| CATEGORY: | DVD |
| DIRECTOR: | Fred Zinnemann |
| THEATRICAL RELEASE DATE: | 01 January, 1966 |
| MANUFACTURER: | Columbia/Tristar Studios |
| MPAA RATING: | G (General Audience) |
| FEATURES: | Color, Closed-captioned, Widescreen |
| TYPE: | Feature Film-drama |
| MEDIA: | DVD |
| # OF MEDIA: | 1 |
| UPC: | 043396032569 |
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Customer Reviews of A Man for All Seasons
I love this movie, but the real More was more complex I have loved this movie since I saw it in its original release too many years ago. Certainly, Sir Thomas More was a magnificent person who died a martyr and has been canonized a saint. However, don't confuse the play and movie with the flesh and blood man. He was much more complex in real life than the purely noble performance of Paul Scofield. You can read the biography of Thomas More by Peter Ackroyd to get at some of his complexities.
But this is a wonderful movie and I recommend it with great enthusiasm. It is a powerful movie and can have some useful at least temporary curative effect on the soul suffering under the ironical detachment and cynicism of our time. Scofield is wonderful and the definitive performance of this role. Orson Welles is quite special as the corpulent and corrupt Cardinal Wolsey. John Hurt is superb as the traitor Richard Rich. Shaw is fine as Henry VIII as is the rest of the cast.
And who can forget the line where More asks to see chain of office that Richard Rich was given to perjure himself and betray More. After examining it and being told that Sir Richard was made the Attorney General of Wales More says, "Richard, it profits a man nothing to trade his soul for the whole world, but for Wales ..." Wonderful stuff.
The disk offers the wide screen theatrical release and a full screen version for those who like to see less of the picture in order to avoid the upper and lower "bars". There is also the original trailer.
There are no other features on the disk beyond scene selection.
This disk belongs in every collection and should be reviewed regularly as an healthful tonic to help remedy the bilious nihilism of our age.
A well-crafted film...
I first saw "A MAN FOR ALL SEASONS" in 1966 when it first came out. I was a senior in high school, and since this was the pre-hippie era, everyone was gung-ho about Sir Thomas More's duty, integrity, etc. There's no question that Fred Zinnemann crafted a masterpiece on the tiny budget allowed him by Columbia, since all the studios were losing money on talky, period pieces.The acting is incomparable, a perfect ensemble centering around the unflinchingly confident performance of Scofield (he'd done the role hundreds of times on stage). The costumes won an Oscar, and were certainly beautiful, though they were so bulky it looked really difficult for the characters to get close to each other. It won an Oscar for Cinematography, too, though the film really is somewhat of a filmed play (I thought the filming of "Hawaii" and "The Sand Pebbles",also nominated, was more breath-taking). Though these are minor problems, they are soon forgotten when one pays attention to the incredible screenplay of Robert Bolt.Loaded with passion and strong character development, it's also a valid history lesson. Don't watch this if there are any distractions (kids, company, etc.) since its maximum appreciation requires concentration. I'm also wondering why the DVD is substantially higher-priced than most others, since there are absolutely NO extras of any kind. This film is notable also for Vanessa Redgrave's unbilled film debut as Anne Boleyn, on screen for only a few minutes, but an absolutely riveting film moment. Everyone should see ths film, but I'd hesitate to recommend you buy it if only due to the unreasonable price.
"Seasons" offers poignancy, pause
Paul Scofield's quiet, dignified portrayl of Sir Thomas More is one of the most riveting performances one will ever find.
With a determined, yet not brash or unseemly stance against Henry VIII (Robert Shaw, in all his young glory), More creates a devastating question for the viewer: how long do our principles remain dear to us. To discomfort? To imprisonment? To death?
Perhaps one of the most endearing qualities of More's character is that he does not waver. It is a quality that is only universal in the sense that it is respected by all men and possessed by very few.
In the end, perhaps the only validation More is given is the dignity of his death, his detractors exposed as dishonest, biased men. Is that enough? Certainly More was able to change little of history by the manner of his death. It did not stop the divorce OR the Anglican church. Perhaps the only prize integrity has is itself. Certainly More himself believed a much higher reward awaited him. After watching this movie, regardless of religion, you will find yourself hoping he was right.