Cheap 150 Murderous Passions (Music) (Nurse With Wound) Price
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| ARTIST: | Nurse With Wound |
| CATEGORY: | Music |
| MANUFACTURER: | World |
| FEATURES: | Import |
| MEDIA: | Audio CD |
| TRACKS: | Untitled, Untitled |
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Customer Reviews of 150 Murderous Passions
Splendid I happened upon this album by accident searching for Whitehouse MP3s. This is by far my favorite of either NWW or Whitehouse, though I haven't to much NWW yet, so make that a "so far".
I can't describe this beast as anything but epic. It has this sound to it that crawls beneath your exterior and stays there, and sometimes when you're some place else, maybe shopping, maybe walking around, and you hear a sound, it reminds you subconsciously, and you hear those bells again. The coda at the end of the second track makes it that much more haunting.
And it's great for annoying the neighbors!
good for fans...
I can't say I've heard a lot of NWW, but this disc fit my expectations a little too well. I imagine that there are a number of far better introductions to this band. I still listen to it as I sleep very often, but I'm definitely looking forward to finding the recording with 'I Am the Poison' on it.
Sheer Brutality with Stapleton Vocals!
There's a lot of controversy surrounding this recording (to get a synopsis, check Come's _Anthology I_ liner notes-- that comp, released in '98 by Susan Lawly, also contains the original version of this piece). But forget about all that. Here's Whitehouse's William Bennett and Nurse with Wound's Steven Stapleton, during Stapleton's powerelectronics days (this album dates from 1981), recording thoroughly brutal, mind-wrenching ugliness. This release is Stapleton's "unauthorized" remix and re-release of the source material; basically, he reverbed the hell out of it and made it a few seconds longer. I know I'm very much in the minority on this, but having heard both versions many times, I have to say I prefer this one to the "official" release of 150MP.
Stapleton rearranged while he was remixing, and because of that, this version of the piece seems to have a bit more continuity to it. And those reverbed bells-- holy cow! If your nerves weren't already destroyed by this thing, when the bells start ringing, it's quite easy to close one's eyes and see oneself as a prostitute in London in 1885 with a shadowy figure following you. Very, very creepy stuff.
This ain't a picnic. It's not a disc you pick up expecting soemthing you'll hear on the radio. Like much of what constitutes great art, 150MP is more an endurance test than it is a listening experience. But once it gets under your skin, it takes a long, long time to go away.
Oh, yeah, one other little tidbit for NWW fans. According to William Bennett, the wordless howling you can hear at the end of track one, which I'd always attributed to Bennett, is actually Stapleton. Yes, folks, Steven Stapleton's voice HAS been recorded!